Those Were the Days: The Eighties (South Africa)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1A Kind of Magic
assistant engineer:
Croydon (Engineer)
engineer:
David Richards (Swiss-based producer and engineer)
producer:
Queen (UK rock group) and David Richards (Swiss-based producer and engineer)
bass guitar:
John Deacon
drum machine, drums (drum set) and electronic drum set:
Roger Taylor (Queen drummer)
electric guitar:
Brian May (Queen guitarist)
synthesizer and background vocals:
Freddie Mercury and Roger Taylor (Queen drummer)
lead vocals:
Freddie Mercury
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1986, in 2011)
recorded at:
Mountain Studios (original Montreux location, 1975-2002) in Montreux (from 1985-09 until 1986-04), Musicland Studios (Munich) in München (from 1985-09 until 1986-04) and The Town House in Shepherd's Bush (from 1985-09 until 1986-04)
recording of:
A Kind of Magic
lyricist and composer:
Roger Taylor (Queen drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) (in 1986) and Queen Music Ltd. (in 1986)
part of:
We Will Rock You (German version of the Queen musical)
part of:
We Will Rock You (Queen musical)
Queen3.854:21
2The Whole of the Moon
recording of:
The Whole of the Moon
lyricist and composer:
Mike Scott (The Waterboys)
The Waterboys4.455:02
3If I Was
guest performer:
Mark King
recording of:
If I Was
writer:
Danny Mitchell (Scottish songwriter and member of Messengers) and Midge Ure
Midge Ure45:21
4Only When You Leave
recording of:
Only When You Leave
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet4:39
519
recording of:
19
lyricist:
Bill Couturié, Paul Hardcastle and Jonas McCord
composer:
Paul Hardcastle
Paul Hardcastle6:21
6Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes (drummer)
keyboard and synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
recorded at:
Ridge Farm Studios in Dorking
mixed at:
Advision Studios in Fitzrovia
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music and Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.653:32
7I Don't Wanna Dance
recording of:
I Don’t Wanna Dance
lyricist and composer:
Eddy Grant
Eddy Grant33:40
8Never Ending Story
producer:
Giorgio Moroder
background vocals:
Beth Andersen
lead vocals:
Limahl
performer:
Limahl
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
lyricist:
Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Limahl3.353:28
9And She Was
recording engineer and mixer:
Eric “E.T.” Thorngren
assistant engineer:
Melanie West (engineer) (task: second engineer)
producer:
Talking Heads
bass guitar and bass synthesizer [synth bass]:
Tina Weymouth
drums (drum set):
Chris Frantz
guitar:
David Byrne (Talking Heads) and Jerry Harrison (Talking Heads)
background vocals:
Jerry Harrison (Talking Heads) and Tina Weymouth
lead vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads) and Tina Weymouth
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1985)
recorded at and mixed at:
Sigma Sound (New York) in New York, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 453)
recording of:
And She Was
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher) and Index Music, Inc.
Talking Heads4.153:40
10If This Is It
Huey Lewis & the News3:42
11Stop Draggin’ My Heart Around
engineer:
Shelly Yakus
producer:
Jimmy Iovine and Tom Petty
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Stan Lynch
guitar:
Michael Campbell (Tom Petty and the Heartbreakers guitarist) and Tom Petty
organ:
Benmont Tench
percussion:
Phil Jones (Percussionist)
lead vocals:
Stevie Nicks and Tom Petty
guest performer:
Tom Petty and the Heartbreakers
performer:
Tom Petty
phonographic copyright (℗) by:
Modern Records, Inc. (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2016)
recording of:
Stop Draggin’ My Heart Around
lyricist:
Tom Petty
composer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
publisher:
Gone Gator Music (ASCAP affiliated) and Wild Gator Music
Stevie Nicks4.454:03
12Bette Davis Eyes
cover recording of:
Bette Davis Eyes
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc. and Warner Chappell Music, Inc.
Kim Carnes3:36
13Kayleigh
recording engineer:
Thomas Stiehler
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (Marillion bassist / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985)
remix of:
Kayleigh (alternative mix) by Marillion (British progressive rock band) and Kayleigh (alternative mix) by Marillion (British progressive rock band)
edit of:
Kayleigh by Marillion (British progressive rock band)
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (Marillion bassist / Edison’s Children / Transatlantic)
publisher:
Charisma Music Publishing Co Ltd. and Charisma Music Publishing Ltd.
Marillion4.43:33
14Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
bass:
Chris Cross (UK bassist for Ultravox)
drums (drum set):
Warren Cann
guitar:
Midge Ure
keyboard and violin:
Billy Currie
vocals:
Midge Ure
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox34:38
15You Got It
engineer:
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) and Don Smith (producer, engineer and mixer)
producer:
Jeff Lynne
acoustic guitar:
Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
bass guitar, electric guitar, keyboard and piano:
Jeff Lynne (in 1988-04)
drums (drum set) and percussion:
Phil Jones (Percussionist) (in 1988-04)
background vocals:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
lead vocals:
Roy Orbison (in 1988-04)
phonographic copyright (℗) by:
Roys Boy’s, LLC (in 1989, in 2014) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
recorded at:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames (in 1988-04), M.C. Studios in Los Angeles, United States (in 1988-04) and Rumbo Recorders in Canoga Park, United States (in 1988-04)
recording of:
You Got It (in 1988-04)
writer:
Jeff Lynne, Roy Orbison and Tom Petty
Roy Orbison4.553:32
16Morning Train (Nine to Five)
recording of:
9 to 5
lyricist and composer:
Florrie Palmer
Sheena Easton43:22
17Slave to Love
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Compass Point Studios in Nassau, Effanel Music in New York, United States, RPM Studios in New York, United States, Sarm West Studios in Notting Hill and The White House in Nashville, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.854:28
18Babooshka
assistant engineer:
John Barratt (British audio engineer) (from 1979-09 until 1980-05)
engineer:
Jon Kelly (engineer at Air London Studios) (from 1979-09 until 1980-05)
producer:
Kate Bush and Jon Kelly (engineer at Air London Studios)
analog synthesizer [CS 80] and lead vocals:
Kate Bush (from 1979-09 until 1980-05)
balalaika:
Paddy Bush (from 1979-09 until 1980-05)
drums (drum set):
Stuart Elliott (Session drummer, member of Cockney Rebel) (from 1979-09 until 1980-05)
electric bass guitar:
John Giblin (from 1979-09 until 1980-05)
electric guitar:
Brian Bath (from 1979-09 until 1980-05) and Alan Murphy (UK session guitarist) (from 1979-09 until 1980-05)
Rhodes piano [Fender Rhodes]:
Max Middleton (from 1979-09 until 1980-05)
background vocals:
Paddy Bush (from 1979-09 until 1980-05) and Gary Hurst (from 1979-09 until 1980-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980), Novercia Ltd. (in 1980) and EMI America Records, Inc. (holding - file NO releases here!) (in 1982)
recorded at:
Abbey Road Studios in St John's Wood (from 1979-09 until 1980-05) and Abbey Road Studios: Studio 2 in St John's Wood (from 1979-09 until 1980-05)
recording of:
Babooshka (from 1979-09 until 1980-05)
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Kate Bush Music Ltd.
Kate Bush3.53:26