All at Once Well Met: English Madrigals

~ Release by The King’s Singers (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1The First Set of English Madrigals: A Little Pretty Bonny Lass
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (in 1976)
producer:
John Willan (producer) (in 1976)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1976) and Anthony Holt (baritone) (in 1976)
bass vocals:
Brian Kay (in 1976)
countertenor vocals:
Alastair Hume (in 1976) and Nigel Perrin (in 1976)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1976)
vocals:
The King’s Singers (in 1976)
recording of:
A Little Pretty Bonny Lass (in 1976)
composer:
John Farmer (16th century English composer)
John Farmer1:16
2Songs of 3-6 Parts: Weep No More, Thou Sorry Boy
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (in 1976)
producer:
John Willan (producer) (in 1976)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1976) and Anthony Holt (baritone) (in 1976)
bass vocals:
Brian Kay (in 1976)
countertenor vocals:
Alastair Hume (in 1976) and Nigel Perrin (in 1976)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1976)
vocals:
The King’s Singers (in 1976)
recording of:
Weep No More Thou Sorry Boy (in 1976)
composer:
Thomas Tomkins (English Renaissance/Baroque composer)
Thomas Tomkins2:54
3The First Booke of Balletts to Five Voyces: Shoot, False Love
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (in 1976)
producer:
John Willan (producer) (in 1976)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1976) and Anthony Holt (baritone) (in 1976)
bass vocals:
Brian Kay (in 1976)
countertenor vocals:
Alastair Hume (in 1976) and Nigel Perrin (in 1976)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1976)
vocals:
The King’s Singers (in 1976)
recording of:
Balletts to Five Voices: Shoot, False Love (in 1976)
composer:
Thomas Morley (English Renaissance composer)
part of:
Balletts to Five Voices
Thomas Morley2:32
4The First Booke of Balletts to Five Voyces: Now Is the Month of Maying
engineer:
Stuart Eltham (engineer) (in 1974)
producer:
Christopher Bishop (conductor/producer) (in 1974)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1974) and Anthony Holt (baritone) (in 1974)
bass vocals:
Brian Kay (in 1974)
countertenor vocals:
Alastair Hume (in 1974) and Nigel Perrin (in 1974)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1974)
vocals:
The King’s Singers (in 1974)
recording of:
Balletts to Five Voices: Now Is the Month of Maying (in 1974)
composer:
Thomas Morley (English Renaissance composer)
part of:
Balletts to Five Voices
Thomas Morley1:52
5Air or Fantastic Spirits to Three Voices: Four Arms, Two Necks, One Wreathing
engineer:
Stuart Eltham (engineer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1974) and Anthony Holt (baritone) (in 1974)
bass vocals:
Brian Kay (in 1974)
countertenor vocals:
Alastair Hume (in 1974)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1974)
vocals:
The King’s Singers (in 1974)
recording of:
Ayres or Phantasticke Spirits for Three Voices: XIV. Four Arms, Two Necks, One Wreathing (in 1974)
composer:
Thomas Weelkes (English composer & organist, c. 1576-1623)
part of:
Ayres or Phantasticke Spirits for Three Voices
Thomas Weelkes1:59
6Balletts and Madrigals to Five Voices: Hark, All Ye Lovely Saints Above
engineer:
Stuart Eltham (engineer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1974) and Anthony Holt (baritone) (in 1974)
bass vocals:
Brian Kay (in 1974)
countertenor vocals:
Alastair Hume (in 1974)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1974)
vocals:
The King’s Singers (in 1974)
recording of:
Eight Ballets and Madrigals, Volume 1: VIII. Hark, All ye Lovely Saints Above (in 1974)
composer:
Thomas Weelkes (English composer & organist, c. 1576-1623)
part of:
Eight Ballets and Madrigals, Volume 1
Thomas Weelkes2:56
7Air or Fantastic Spirits to Three Voices: Since Robin Hood
engineer:
Stuart Eltham (engineer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1974) and Anthony Holt (baritone) (in 1974)
bass vocals:
Brian Kay (in 1974)
countertenor vocals:
Alastair Hume (in 1974)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1974)
vocals:
The King’s Singers (in 1974)
recording of:
Ayres or Phantasticke Spirits for Three Voices: XX. Since Robin Hood (in 1974)
composer:
Thomas Weelkes (English composer & organist, c. 1576-1623)
part of:
Ayres or Phantasticke Spirits for Three Voices
Thomas Weelkes1:09
8Canzonets to 3 Voices: Though Philomela Lost Her Love
engineer:
Stuart Eltham (engineer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1974) and Anthony Holt (baritone) (in 1974)
bass vocals:
Brian Kay (in 1974)
countertenor vocals:
Alastair Hume (in 1974)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1974)
vocals:
The King’s Singers (in 1974)
recording of:
Canzonets to Three Voices: Though Philomela Lost Her Love (in 1974)
composer:
Thomas Morley (English Renaissance composer)
part of:
Canzonets to Three Voices
Thomas Morley0:58
9Second Set of Madrigals: O Wretched Man
engineer:
Stuart Eltham (engineer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1974) and Anthony Holt (baritone) (in 1974)
bass vocals:
Brian Kay (in 1974)
countertenor vocals:
Alastair Hume (in 1974)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1974)
vocals:
The King’s Singers (in 1974)
recording of:
The Second Set of Madrigals for 3-6 voices: XXVII. O Wretched Man (in 1974)
composer:
John Wilbye (English baroque composer)
part of:
The Second Set of Madrigals for 3-6 voices
John Wilbye3:37
10Madrigals to Four Voyces: Weep, o Mine Eyes
engineer:
Stuart Eltham (engineer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1974) and Anthony Holt (baritone) (in 1974)
bass vocals:
Brian Kay (in 1974)
countertenor vocals:
Alastair Hume (in 1974)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1974)
vocals:
The King’s Singers (in 1974)
recording of:
Weep, O Mine Eyes (in 1974)
composer:
John Bennet (16th/17th century composer)
John Bennet2:22
11Air or Fantastic Spirits to Three Voices: The Nightingale, the Organ of Delight
engineer:
Stuart Eltham (engineer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1974) and Anthony Holt (baritone) (in 1974)
bass vocals:
Brian Kay (in 1974)
countertenor vocals:
Alastair Hume (in 1974)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1974)
vocals:
The King’s Singers (in 1974)
recording of:
Ayres or Phantasticke Spirits for Three Voices: XXV. The Nightingale, the Organ of Delight (in 1974)
composer:
Thomas Weelkes (English composer & organist, c. 1576-1623)
part of:
Ayres or Phantasticke Spirits for Three Voices
Thomas Weelkes1:05
12Air or Fantastic Spirits to Three Voices: Come, Sirrah Jack, Ho!
engineer:
Stuart Eltham (engineer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1974) and Anthony Holt (baritone) (in 1974)
bass vocals:
Brian Kay (in 1974)
countertenor vocals:
Alastair Hume (in 1974)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1974)
vocals:
The King’s Singers (in 1974)
recording of:
Ayres or Phantasticke Spirits for Three Voices: VI. Come, Sirrah Jack, Ho! (in 1974)
composer:
Thomas Weelkes (English composer & organist, c. 1576-1623)
part of:
Ayres or Phantasticke Spirits for Three Voices
Thomas Weelkes1:58
13First Set of Madrigals: Cruel, Behold My Heavy Ending
engineer:
Stuart Eltham (engineer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1974) and Anthony Holt (baritone) (in 1974)
bass vocals:
Brian Kay (in 1974)
countertenor vocals:
Alastair Hume (in 1974)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1974)
vocals:
The King’s Singers (in 1974)
recording of:
The First Set of English Madrigals: XXVIII. Cruel, Behold My Heavy Ending (in 1974)
composer:
John Wilbye (English baroque composer)
part of:
The First Set of English Madrigals
John Wilbye2:55
14The First Set of English Madrigals: Fair Phyllis I Saw Sitting All Alone
engineer:
Stuart Eltham (engineer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1974) and Anthony Holt (baritone) (in 1974)
bass vocals:
Brian Kay (in 1974)
countertenor vocals:
Alastair Hume (in 1974)
tenor vocals:
Alastair Thompson (British tenor vocalist) (in 1974)
vocals:
The King’s Singers (in 1974)
recording of:
Fair Phyllis (in 1974)
composer:
John Farmer (16th century English composer)
John Farmer1:19
15First Booke of Ballets to Five Voyces: Sing We and Chant It
producer:
John Fraser (UK producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist) (in 1982)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Balletts to Five Voices: Sing We and Chaunt It (in 1982)
composer:
Thomas Morley (English Renaissance composer)
part of:
Balletts to Five Voices
Thomas Morley1:43
16Madrigals to Foure Voyces: On a Fair Morning
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Madrigals to Four Voices: On a Fair Morning (in 1982)
composer:
Thomas Morley (English Renaissance composer)
part of:
Madrigals to Four Voices
Thomas Morley1:18
17Second Set of Madrigals: Oft Have I Vowed
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
The Second Set of Madrigals for 3-6 voices: XX. Oft I have vowed how dearly I did love thee, (in 1982)
composer:
John Wilbye (English baroque composer)
part of:
The Second Set of Madrigals for 3-6 voices
John Wilbye3:32
18Songs of Sundrie Natures: Is Love a Boy?
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Is Love a Boy? (in 1982)
composer:
William Byrd (English composer)
William Byrd3:47
19Third Book of Songs: Say, Love, If Ever Thou Didst Find, D 58
producer:
John Fraser (UK producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist) (in 1982)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
The Third Booke of Songs or Ayres, No. 7: "Say Love If Ever Thou Did'st Find" (in 1982)
composer:
John Dowland (composer and lutenist) (in 1603)
part of:
The Third Booke of Songs or Ayres
John Dowland1:56
20Balletts and Madrigals to Five Voices: All at Once Well Met
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Eight Ballets and Madrigals, Volume 1: I. All at once well met, fair ladies (in 1982)
composer:
Thomas Weelkes (English composer & organist, c. 1576-1623)
part of:
Eight Ballets and Madrigals, Volume 1
Thomas Weelkes1:22
21Canzonets to Four Voices: Construe My Meaning
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Construe My Meaning (in 1982)
composer:
Giles Farnaby (English renaissance and baroque composer)
Giles Farnaby1:59
22Air or Fantastic Spirits to Three Voices: Lord! When I Think
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Ayres or Phantasticke Spirits for Three Voices: XV. Lord! When I Think (in 1982)
composer:
Thomas Weelkes (English composer & organist, c. 1576-1623)
part of:
Ayres or Phantasticke Spirits for Three Voices
Thomas Weelkes1:52
23Canzonets or Little Short Aers to Five and Sixe Voices: Cruel, Wilt Thou Persever
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Canzonets or Little Short Aers to Five and Sixe Voices: Cruel, Wilt Thou Persever (in 1982)
composer:
Thomas Morley (English Renaissance composer)
part of:
Canzonets or Little Short Aers to Five and Sixe Voices
Thomas Morley2:15
24Second Booke of Songes: Fine Knacks for Ladies
engineer:
Stuart Eltham (engineer) (in 1982)
producer:
John Fraser (UK producer) (in 1982)
lute:
Robert Spencer (English lutenist, guitarist & musicologist) (in 1982)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
The Second Booke of Songs or Ayres, No. 12: "Fine Knacks for Ladies" (in 1982)
composer:
John Dowland (composer and lutenist) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland2:29
25Air or Fantastic Spirits to Three Voices: Strike It Up, Tabor
producer:
John Fraser (UK producer)
tabor:
John Fraser (UK producer) (in 1982)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Ayres or Phantasticke Spirits for Three Voices: XVIII. Strike It Up, Tabor (in 1982)
composer:
Thomas Weelkes (English composer & organist, c. 1576-1623) (in 1608)
part of:
Ayres or Phantasticke Spirits for Three Voices
Thomas Weelkes1:36
26The First Booke of Balletts to Five Voyces: I Love, Alas I Love Thee
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Balletts to Five Voices: I Love, Alas, I Love Thee (in 1982)
composer:
Thomas Morley (English Renaissance composer)
part of:
Balletts to Five Voices
Thomas Morley1:22
27The First Booke of Songes or Ayres: Farwell, Dear Love
producer:
John Fraser (UK producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist) (in 1982)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
The First Booke of Songes or Ayres: XII. Farwell, Dear Love (in 1982)
composer:
Robert Jones (English lutenist and composer)
Robert Jones2:30
28Songs of 3-6 Parts: See, See the Shepherd's Queen
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Songs of 3-6 Parts: See, See the Shepherd's Queen (in 1982)
composer:
Thomas Tomkins (English Renaissance/Baroque composer)
Thomas Tomkins2:02
29First Set of Madrigals: Have I Found Her
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
First Set of Madrigals: Have I Found Her (in 1982)
composer:
Francis Pilkington (English composer, singer & lutenist, 1565-1638)
Francis Pilkington1:47
30First Set of Madrigals: Lady Your Words Do Spite Me
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
The First Set of English Madrigals: XVIII. Lady Your Words Do Spite Me (in 1982)
composer:
John Wilbye (English baroque composer)
part of:
The First Set of English Madrigals
John Wilbye1:54
31Songs and Psalms: Were I a King
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Songs and Psalms: Were I a King (in 1982)
composer:
William Mundy (composer)
William Mundy2:33
32Firste Booke of Songes: Come Again
engineer:
Stuart Eltham (engineer) (in 1982) and John Fraser (UK producer) (in 1982)
producer:
John Fraser (UK producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist) (in 1982)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite" (in 1982)
composer:
John Dowland (composer and lutenist) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland2:21
33Air or Fantastic Spirits to Three Voices: Tan Ta Ra, Cries Mars
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
Ayres or Phantasticke Spirits for Three Voices: VII. Tan Ta Ra, Cries Mars (in 1982)
composer:
Thomas Weelkes (English composer & organist, c. 1576-1623)
part of:
Ayres or Phantasticke Spirits for Three Voices
Thomas Weelkes1:35
34First Set of English Madrigals: Why Should I Love?
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
First Set of English Madrigals: Why Should I Love? (in 1982)
composer:
George Kirbye
George Kirbye2:47
35Psalmes, Songs and Sonnets: This Sweet and Merry Month of May
producer:
John Fraser (UK producer)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (in 1982) and Anthony Holt (baritone) (in 1982)
bass vocals:
Brian Kay (in 1982)
countertenor vocals:
Alastair Hume (in 1982) and Jeremy Jackman (in 1982)
tenor vocals:
Bill Ives (in 1982)
vocals:
The King’s Singers (in 1982)
balance engineer:
Stuart Eltham (engineer)
recording of:
This Sweet and Merry Month of May (in 1982)
composer:
William Byrd (English composer)
William Byrd2:01

Credits

Release

liner notes:Frank Dobbins (Renaissance music expert) (in 1987)
Discogs:https://www.discogs.com/release/10241406 [info]
ASIN:US: B000002RPZ [info]