Now That’s What I Call Music! Decades: The Deluxe Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1: 1983–1989
▼ CD 2: 1990–1996
#TitleArtistRatingLength
1Killer
assistant producer:
Mark Tinley
producer:
Adamski
lead vocals:
Seal (English-born singer and songwriter)
music videos:
Killer (music video) by Seal (English-born singer and songwriter)
part of:
The Downloader’s Music Source Book (number: 198)
recording of:
Killer (in 1990)
lyricist:
Seal (English-born singer and songwriter)
writer:
Seal (English-born singer and songwriter) and Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (ended), Virgin Music (Publishers) Ltd. (ended), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing GmbH
Adamski3.54:14
2Dub Be Good to Me
producer:
Norman Cook
vocals:
Lindy Layton
recording of:
Dub Be Good to Me
composer:
Norman Cook, James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
version of:
Just Be Good to Me
Beats International feat. Lindy Layton2.354:00
33AM Eternal
additional recording engineer:
Julian Gordon-Hastings and Ian Richardson (Ford Timelord)
programming and producer:
The KLF (British electronic band with several aliases)
mixer:
Mark “Spike” Stent (producer, engineer) and Jeremy Wheatley (UK mix engineer, aka Jim Bob)
vocals:
P.P. Arnold
guest performer:
Children of the Revolution (Backing artists for The KLF)
performer:
The KLF (British electronic band with several aliases)
recording of:
3 A.M. Eternal (Original Edit)
composer:
Jimmy Cauty and Bill Drummond
recording of:
3 A.M. Eternal (live at the S.S.L.)
lyricist and composer:
Jimmy Cauty, Bill Drummond and Ricardo Lyte
version of:
3 A.M. Eternal (Original Edit)
The KLF feat. The Children of the Revolution3.853:38
4Take a Chance on Me
assistant recording engineer:
Dave Eringa
engineer and producer:
David Bascombe
assistant mixer:
Ben Darlow
additional other vocals [rap]:
MC Kinky
cover recording of:
Take a Chance on Me
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group and Universal/Union Songs Musikförlag AB
part of:
Mamma Mia! (1999 musical)
Erasure3.23:38
5The Shoop Shoop Song (It’s in His Kiss)
producer:
Peter Asher
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1990)
music videos:
The Shoop Shoop Song (It’s in His Kiss) by Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, TM Music Ltd. and Trio Music Company
Cher3.752:50
6Would I Lie to You
producer:
Josh Deutsch
recording of:
Would I Lie to You?
writer:
Michael Leeson (songwriter) and Peter Vale (writer/arranger)
publisher:
BMG VM Music Ltd. (from 2013-05-16 to present)
Charles & Eddie3.23:38
7Dreams
producer:
Richie Fermie
mixer:
John Brough
guitar family:
Paul Noble (member of "Warm Jets")
phonographic copyright (℗) by:
Go Beat Ltd. (in 1993) and Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1993)
recording of:
Dreams (in 1993)
writer:
Tim Laws and Louise Gabrielle Bobb (British singer-songwriter)
publisher:
Imagem London Ltd., Perfect Songs Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Gabrielle2.653:40
8Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:38
9Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer-songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer-songwriter)
vocals:
Sinéad O’Connor (Irish singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (number: 38), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
NPG Publishing, Warner Chappell, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Sinéad O’Connor4.355:00
10Show Me Heaven
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited
Maria McKee33:50
11I’d Do Anything for Love (but I Won’t Do That)
producer:
Jim Steinman
recording of:
I’d Do Anything for Love (but I Won’t Do That)
lyricist and composer:
Jim Steinman
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf35:25
12Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.63:57
13A Little Time
engineer:
Rupert Coulson (sound engineer), Ben Kape and Lance Phillips
producer:
Mike Hedges (UK producer/recording engineer)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1990)
music videos:
A Little Time by The Beautiful South
recording of:
A Little Time
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Beautiful South32:59
14Don’t Look Back in Anger
recording engineer:
Owen Morris
producer:
Noel Gallagher and Owen Morris
electric guitar and background vocals:
Noel Gallagher
vocals:
Liam Gallagher (English musician, lead singer of Oasis)
recorded at:
Rockfield Studios in Monmouth
music videos:
Don’t Look Back in Anger by Oasis (1991–2009 Britpop)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 45)
recording of:
Don’t Look Back in Anger
lyricist and composer:
Noel Gallagher
Oasis4.254:49
15Breakfast at Tiffany’s
engineer, producer and mixer:
David Castell
acoustic guitar and electric guitar:
Toby Pipes, Todd Pipes and Kirk Tatom
bass guitar:
Todd Pipes and Kirk Tatom
drums (drum set) and percussion:
John Kirtland (Drummer, head of Kirtland Records)
keyboard:
Toby Pipes and Todd Pipes
lap steel guitar:
Toby Pipes
organ and piano:
Kirk Tatom
vocals:
Toby Pipes, Todd Pipes and Kirk Tatom
phonographic copyright (℗) by:
Interscope Records (in 1995)
recording of:
Breakfast at Tiffany’s
lyricist and composer:
Todd Pipes
publisher:
Warner Chappell North America
Deep Blue Something3.74:18
16Baby Come Back
producer:
Stoker (production/remixing)
guest performer:
Ali Campbell (UB40’s former vocalist) and Robin Campbell
performer:
Ali Campbell (UB40’s former vocalist) and Robin Campbell
cover recording of:
Baby, Come Back (The Equals song)
lyricist and composer:
Eddy Grant
publisher:
Kassner Music Ltd.
Pato Banton feat. Ali & Robin Campbell33:52
17Wannabe
assistant recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
programming and producer:
Richard Stannard and Matt Rowe
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard:
Richard Stannard and Matt Rowe
publisher:
SSO
recording of:
Wannabe
writer:
Melanie Brown, Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls3.852:53
18Boombastic
recording engineer:
"Tootie" Wayne Nicholson (Engineer (recording & mixing))
miscellaneous support:
Dennis Halliburton (Engineer, producer, session musician) (task: track layed by) and Robert Livingston (task: track layed by)
producer:
Robert Livingston and Shaun "Sting Int'l" Pizzonia
mixer:
Sting Int'l
produced for:
Big Yard Production
recorded at and mixed at:
HC&F Recording Studio, Long Island, N.Y. (defunct) in Freeport, Hempstead, United States
samples:
Baby Let Me Kiss You by King Floyd
recording of:
Boombastic
writer:
King Floyd, Robert Livingston and Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing and Stone Diamond Music Corp.
Shaggy3.554:08
19Spaceman
producer:
Jas Mann and Steve Power
mixer:
Clive Black
edit of:
Spaceman by Babylon Zoo
recording of:
Spaceman
lyricist and composer:
Jas Mann
Babylon Zoo3.54:00
20Firestarter
engineer:
Neil McLellan
producer and mixer:
Liam Howlett
vocals:
Keith Flint (vocalist in The Prodigy)
mixed at:
Earthbound Studios in Bradwell, Essex, England, United Kingdom
engineered at:
The Strongroom in Shoreditch
produced at:
Earthbound Studios in Bradwell, Essex, England, United Kingdom
samples:
Close (to the Edit) by Art of Noise and S.O.S. by The Breeders
edit of:
Firestarter by The Prodigy (UK electronic group, main member Liam Howlett)
recording of:
Firestarter
writer:
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan and Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs, Unforgettable Songs Ltd. and Zomba Music
Prodigy4.653:47
▶ CD 3: 1996–2003

Credits

Release group

part of:Now That's What I Call... (UK compilations outside the main numbered series or subseries) (order: 8)
Wikidata:Q7065728 [info]