Absolute Movie Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.63:58
2When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London) and The Aquarium (Studio) in London (Greater London)
mixed at:
The Aquarium (Studio) in London (Greater London)
recording of:
When You Say Nothing at All
writer:
Paul Overstreet and Don Schlitz
Ronan Keating2.554:14
3Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:51
4Take My Breath Away
engineer:
Dave Concors, Michael Rosen (US metal producer/engineer) and Tom Whitlock
producer:
Jerry Bruckheimer, Giorgio Moroder and Don Simpson (American film producer, screenwriter, and actor)
mixer:
Giorgio Moroder and Brian Reeves
drums (drum set):
Rob Brill
electric guitar:
Ric Olsen
synthesizer:
Arthur Barrow and John Crawford (Berlin bassist)
lead vocals:
Terri Nunn (Berlin singer)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986)
recorded at:
Oasis Recording Studios in North Hollywood, United States
music videos:
Take My Breath Away by Berlin (US new wave/synthpop)
part of:
TV Cream: Real 100 Best Singles Ever (number: 28)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
lyricist:
Tom Whitlock
composer:
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (ended), Jastian Music Inc. (ended), ワーナー・チャペル音楽出版 Synch事業部 (ended), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) and GMPC (in 1986)
part of:
The 59th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 59)
Berlin3.854:14
5Against All Odds
engineer:
Jeremy Smith (producer/engineer) and Lewis Hahn
producer:
Arif Mardin
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
keyboard:
Rob Mounsey
conductor:
Arif Mardin
recording of:
Against All Odds (Take a Look at Me Now)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Germany GmbH (2008–today), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Collins, Philip Collins Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984), Hit & Run Music (Publishing) Ltd (in 1984) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Phil Collins3.83:23
6It Must Have Been Love
programming and producer:
Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990)
recorded at:
Audio Sweden in Stockholm (from 1987 until 1990) and EMI Studios (Stockholm) in Stockholm (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, United States
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:17
7There You'll Be
recording engineer:
Bassy Bob Brockmann (engineer, producer, remixer)
assistant engineer:
Jamie Duncan
producer:
Byron Gallimore and Trevor Horn
mixer:
Steve MacMillan and Mike Shipley (audio engineer, mixer, producer)
bass:
Tony Shanahan
guitar:
Tim Pierce (US session guitarist) and Ira Siegel
membranophone:
Rich Pagano
vocals:
Faith Hill (Country pop singer)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
James Scott Levine (film and television composer) and Fiachra Trench
orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
There You’ll Be
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs and Touchstone Pictures Music and Songs Inc.
part of:
The 74th Academy Award for Best Original Song (number: 2)
Faith Hill53:39
8Have You Met Miss Jones?
recording engineer and mixer:
Al Schmitt
additional engineer:
Jim Brumby (UK engineer) and Tom Jenkins (English sound engineer)
engineer:
Jim Brumby (UK engineer) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Steve Genewick
alto saxophone [alto saxophones]:
Iain Dixon and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Phil Todd (UK flautist/saxophonist)
bass trombone:
Dave Stewart (trombonist)
double bass:
Sam Burgess
drums (drum set) [drums]:
Ralph Salmins
electric guitar:
Mitch Dalton
piano:
Dave Arch (pianist, conductor, arranger and composer)
tenor saxophone [tenor saxophones]:
Dave Bishop and Chris White (UK jazz saxophonist)
trombone [trombones]:
Gordon Campbell (trombone), Richard Edwards (trombonist) and Neil Sidwell
trumpet [trumpets]:
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner and Paul Spong (trumpetist)
vibraphone:
Anthony Kerr
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Robbie Williams3.42:32
9Licence to Kill
vocals:
Gladys Knight
recording of:
Licence to Kill
lyricist:
Walter Afanasieff, Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer), Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
EMI Music Publishing (do not use as a release label!) and SBK Songs Ltd. (in 1989)
Gladys Knight3.55:12
10Lady in Red
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recording of:
The Lady in Red
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (in 1986)
Chris de Burgh44:04
11Show Me Heaven
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited
Maria McKee33:46
12Arthur's Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, United States
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 54)
Christopher Cross53:50
13Kiss Me
engineer:
Russ Long and Robert Vosgien
producer:
Steve Taylor (US CCM singer–songwriter/record producer)
mixer:
Ben Grosse (American producer and engineer)
bass:
Justin Cary (Bass Player) and J.J. Plasencio
drums (drum set):
Dale Baker (Drummer; The Maudlin Fee)
guest accordion:
John Mark Painter
guest organ:
Phil Madeira
guitar:
Sean Kelly (Sixpence guitarist)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
recording of:
Kiss Me
lyricist and composer:
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs and Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer3.63:15
14Gotham City
R. Kelly34:51
15Pure Shores
programming:
Sean Spuehler
producer:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt and Shaznay Lewis
part of:
The Downloader’s Music Source Book (number: 380)
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints3.654:25
16Waiting for a Star to Fall
drum machine programming:
George Merrill
producer:
Arif Mardin
assistant mixer:
Jim Dineen
mixer:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
bass guitar, piano and synthesizer:
George Merrill
drums (drum set):
Denny Fongheiser and Michael Jochum
guitar:
John Goux
synthesizer [Crowning touch]:
Joe Mardin
additional vocals:
Susan Boyd
vocals:
George Merrill and Shannon Rubicam
phonographic copyright (℗) by:
BMG Music (in 1988)
mixed at:
The Grey Room in Hollywood, United States
recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Boy Meets Girl3.254:25
17We Don't Need Another Hero
assistant engineer:
Mike Ging
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
saxophone:
Tim Cappello
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
We Don’t Need Another Hero
lyricist and composer:
Terry Britten and Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company) and Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.354:13
18Purple Rain
phonographic copyright (℗) by:
NPG Records, Inc. (in 2017)
edit of:
Purple Rain (live, 1983-08-03: Minnesota Dance Theatre, First Avenue Nightclub, Minneapolis, MN, USA, with overdubs) by Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
recording of:
Purple Rain
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music and Island Music Ltd.
Prince & The Revolution14:06
▶ CD 2

Credits

Release

ASIN:DE: B000TM08AG [info]