Like, Omigod! The ’80s Pop Culture Box (Totally)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Whip It
associate producer:
Robert Margouleff
producer:
DEVO (new wave/rock band)
recorded at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, United States
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 42) and Indie 88: Top 500 Indie Rock Songs (number: 463)
recording of:
Whip It (Devo song)
writer:
Gerald Casale and Mark Mothersbaugh
publisher:
DEVO Music and Nymph Music
DEVO4.52:40
2Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, Kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Buggles43:27
3The Empire Strikes Back (medley)
recording of:
Empire Strikes Back (medley)
medley of:
Throne Room / Finale (Star Wars, Episode IV: A New Hope)
medley of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme)
medley of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back)
medley of:
Main Title (Star Wars)
Meco3:04
4Another One Bites the Dust
engineer:
Mack (German rock producer/engineer Reinhold Mack)
co-producer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass, bass guitar, guitar, keyboard, piano [piano (reversed)] and synthesizer [synthesizer (reversed)]:
John Deacon (from 1980-02 until 1980-05)
drums (drum set) and electronic instruments [electronic percussion]:
Roger Taylor (Queen drummer) (from 1980-02 until 1980-05)
electric guitar:
John Deacon (from 1980-02 until 1980-05) and Brian May (Queen guitarist) (from 1980-02 until 1980-05)
background vocals and lead vocals:
Freddie Mercury (from 1980-02 until 1980-05)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1980, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1980, in 2011) and Raincloud Productions Ltd. (in 1980, in 2014)
recorded at:
Musicland Studios (Munich) in München (from 1979-06 until 1980-05)
recording of:
Another One Bites the Dust (from 1980-02 until 1980-05)
lyricist and composer:
John Deacon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Beechwood Music Corp. (in 1980), Queen Music Ltd. (in 1980) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
We Will Rock You (German version of the Queen musical)
part of:
We Will Rock You (Queen musical)
Queen4.253:35
5Celebration
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.43:43
6The Breaks, Part 1
recording of:
The Breaks
writer:
James B. Moore (producer, composer), Kurtis Walker, Lawrence Smith (US hip hop producer), Robert Arthur Ford, Jr. (hip hop writer and producer) and Russell W. Simmons
publisher:
Neutral Gray Music
Kurtis Blow4:10
7Let My Love Open the Door
additional engineer:
Steve Nye (producer, engineer and pianist)
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Tony Butler (English rock bassist with Big Country)
drums (drum set):
Simon Phillips (rock drummer)
guitar, synthesizer and lead vocals:
Pete Townshend (of The Who)
harmonica:
Peter Hope-Evans
keyboard ["straight" keyboard]:
John “Rabbit” Bundrick
additionally recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead and Eel Pie Studios in London (Greater London)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London) and Eel Pie Studios in London (Greater London)
mixed at:
Wessex Sound Studios in Highbury
recording of:
Let My Love Open the Door
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Eel Pie Publishing Ltd., Towser Tunes, Inc. and Windswept Pacific
Pete Townshend4.352:44
8Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:33
9Keep On Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
Hammond organ:
Neal Doughty
background vocals:
Kevin Cronin, Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1980)
recording of:
Keep On Loving You
lyricist and composer:
Kevin Cronin
publisher:
Fate Music and Taiyō Music
REO Speedwagon3.753:22
10Turning Japanese
producer:
Vic Coppersmith‐Heaven
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
Glenwood Music Corp.
The Vapors3.653:44
11Lost in Love
engineer and mixer:
William Wittman
producer:
Rick Chertoff, Charles Fisher (Australian producer) and Robie Porter
bass guitar:
Criston Barker
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith and Sam McNally
background vocals:
Criston Barker and David Moyse
lead vocals:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply and Robie Porter
orchestrator:
Frank Esler‐Smith and Robie Porter
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980) and Wizard Records Pty. Ltd. (holding company - file no releases here!) (in 1980)
recorded at:
Trafalgar Studios in Annandale
mixed at:
Soundmixers in Midtown Manhattan, United States
part of:
The Downloader’s Music Source Book (number: 295)
recording of:
Lost in Love
lyricist and composer:
Graham Russell (Air Supply)
publisher:
Nottsongs and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Air Supply53:54
129 to 5
baritone saxophone:
Kim S. Hutchcroft (in 1980)
bass guitar:
Abraham Laboriel (in 1980)
drums (drum set):
Richard Schlosser (drummer) (in 1980)
guitar:
Jeff Baxter (in 1980) and Martin K. Walsh (in 1980)
percussion:
Leonard Castro (in 1980)
piano:
Larry Knechtel (in 1980)
saxophone:
Tom Saviano (in 1980)
trombone:
William Reichenbach (jazz trombonist) (in 1980)
trumpet:
Jerry Hey (in 1980)
background vocals:
Anita Ball (in 1980), Denise Maynelli (in 1980) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
recording of:
9 to 5 (in 1980)
lyricist and composer:
Dolly Parton
publisher:
Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2)
Dolly Parton4.052:46
13I Love a Rainy Night
recording of:
I Love a Rainy Night
writer:
David Malloy, Eddie Rabbitt (US country singer & songwriter) and Even Stevens (singer / songwriter)
Eddie Rabbitt43:10
14Sailing
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, background vocals and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and synthesizer:
Rob Meurer
percussion:
Victor Feldman (jazz musician)
piano:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, United States
recording of:
Sailing
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Christopher Cross4.14:17
15Just the Two of Us
producer:
Ralph MacDonald and Grover Washington, Jr.
drums (drum set):
Steve Gadd (drummer)
electric bass guitar:
Marcus Miller (jazz musician)
electric guitar:
Eric Gale
percussion:
Ralph MacDonald
Rhodes piano:
Richard Tee
saxophone:
Grover Washington, Jr.
lead vocals:
Bill Withers
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
edit of:
Just the Two of Us (original studio mix) by Bill Withers & Grover Washington, Jr.
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter and Bill Withers
Bill Withers & Grover Washington, Jr.3.53:58
16Cars
engineer and mixer:
Rikki Sylvan and Harvey Webb
producer:
Gary Numan
bass guitar:
Paul Gardiner
drums (drum set), drums (drum set) and tambourine and percussion:
Cedric Sharpley
keyboard:
Gary Numan and Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
percussion [synthetic percussion]:
Gary Numan
lead vocals:
Gary Numan (in 1979)
phonographic copyright (℗) by:
Beggars Banquet (in 1979)
music videos:
Cars by Gary Numan
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 16)
recording of:
Cars
lyricist and composer:
Gary Numan
publisher:
Beggars Banquet Music Ltd. and Momentum Music Ltd.
Gary Numan4.153:57
17Ah! Leah!
recording engineer:
Jerry Reed (recording engineer)
executive producer:
Carl Maduri
producer:
Mark Avsec
acoustic guitar and electric guitar:
Marty Lee
bass guitar:
Albritton McClain
drums (drum set):
Kevin Valentine
organ, piano and synthesizer:
Mark Avsec
saxophone:
Kenny Blake (US saxophone player)
background vocals:
Mark Avsec and Donnie Iris
lead vocals:
Donnie Iris
produced for:
Belkin–Maduri Organization
recorded at:
Jeree Studios
recording of:
Ah! Leah!
writer:
Mark Avsec and Dominic Ierace
Donnie Iris53:43
18Sweetheart
recording of:
Sweetheart
writer:
Billy Elworthy and Franke Previte
Franke & the Knockouts3:49
19Shake It Up
assistant engineer:
Thom Moore (Syncro Sound engineer, Gang Green producer) and Walter Turbitt
engineer:
Ian Taylor (Rock Producer/Engineer)
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recorded at:
Syncro Sound in Boston, Massachusetts, United States
recording of:
Shake It Up
publisher:
Ric Ocasek (in 1981)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.153:35
20General Hospi-Tale
part of:
The Downloader’s Music Source Book (number: 252)
recording of:
General Hospi-Tale
writer:
Harry King (member of The Blitz) and Lisa Tedesco
Afternoon Delights4:02
21The Stroke
assistant recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Billy Squier
drums (drum set):
Bobby Chouinard
guitar and lead vocals:
Billy Squier
background vocals:
Mark Clarke (Rock, UK) and Alan St. Jon
additionally recorded at:
Musicland Studios (Munich) in München
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States
mixed at:
Musicland Studios (Munich) in München
recording of:
The Stroke
lyricist and composer:
Billy Squier
Billy Squier43:37
CD 2
CD 3
CD 4
CD 5
CD 6
CD 7

Credits

Release

art direction:Hugh Brown (US art director and photographer)
Julie Vlasak
liner notes:Jamie Malanowski
Steve Woolard
miscellaneous support:Emily Cagan (task: product manager)
Cory Frye (task: editorial supervision)
producer:Bill Inglot (archival music producer/remastering engineer) (task: compilation)
David McLees (task: compilation)
Gordon Skene (task: compilation)
remastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
Ken Perry
design:Julie Vlasak
remastered at:Digiprep in Los Angeles, United States
Discogs:https://www.discogs.com/release/4123642 [info]
ASIN:US: B000068ZVP [info]