Carmen (Gesamtaufnahme in deutscher Sprache) (1991 digital remaster, MediaMotion pressing)

~ Release by Bizet; Ludwig, Schock, Muszely, Prey, Chor der Deutschen Oper Berlin, Berliner Symphoniker, Horst Stein (see all versions of this release, 4 available)

Annotation

1991 remaster, released after 2003, due to being pressed by MediaMotion.

Matrix

CD 1

  • EMI UDEN 2529042 @ 1 (Mastering SID: IFPI L046 Mould SID: ifpi AAHG9 Stamped: 010401‐NL)

CD 2

  • EMI UDEN 2529052 @ 1 (Mastering SID: IFPI L046 Mould SID: ifpi AAHG9 Stamped: 010401‐NL)
Annotation last modified on 2022-06-07 00:30 UTC.

Tracklist

| |
▼ CD 1: 1. Akt & 2. Akt (Anfang)
#TitleArtistRatingLength
1Carmen: Erster Akt: Nr. 1 Einleitung (Orchester)
producer:
Fritz Ganss (producer)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen : Prélude (in 1961-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (Italian lyrics)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet3:35
2Carmen: Erster Akt: Nr. 2 Szene: Diese Menge, im Gedränge (Moralès, Micaëla, Chor)
producer:
Fritz Ganss (producer)
baritone vocals [Moralès]:
Georg Völker (baritone) (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
soprano vocals [Micaëla]:
Melitta Muszely (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 2 Szene „Diese Menge, im Gedränge” (Moralès, Micaëla, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet5:48
3Carmen: Erster Akt: Nr. 3 Chor: Schnell herbeigestürmt wie’s Wetter (Straßenjungen)
producer:
Fritz Ganss (producer)
choir vocals [Chor]:
Schöneberger Sängerknaben (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 3 Chor „Schnell herbeigestürmt wie’s Wetter” (Straßenjungen) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet3:53
4Carmen: Erster Akt: Nr. 3a Rezitativ: Ist nicht dort die Fabrik unsrer köstlichen Zigaretten (Zuniga, Don José)
producer:
Fritz Ganss (producer)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 3a Rezitativ „Ist nicht dort die Fabrik unsrer köstlichen Zigaretten” (Zuniga, Don José) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet1:28
5Carmen: Erster Akt: Nr. 4 Chor: Kommen wir herbei mit der Glocke Tönen (Zigarettenarbeiterinnen, Carmen)
producer:
Fritz Ganss (producer)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 4 Chor „Kommen wir herbei mit der Glocke Tönen” (Zigarettenarbeiterinnen, Carmen) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet4:51
6Carmen: Erster Akt: Nr. 5 Habanera: Ja, die Liebe hat bunte Flügel (Carmen, Chor)
producer:
Fritz Ganss (producer)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 5 Habanera „Ja, die Liebe hat bunte Flügel” (Carmen, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet3:32
7Carmen: Erster Akt: Nr. 6 Szene: Carmen, sieh, wir alle folgen dir (Chor)
producer:
Fritz Ganss (producer)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 6 Szene „Carmen, sieh, wir alle folgen dir” (Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet1:30
8Carmen: Erster Akt: Nr. 6a Rezitativ: Ha! das heiß’ ich doch Unverschämtheit! (Don José, Micaëla)
producer:
Fritz Ganss (producer)
soprano vocals [Micaëla]:
Melitta Muszely (soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 6a Rezitativ „Ha! das heiß’ ich doch Unverschämtheit!” (Don José, Micaëla) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 6 Scène « Qu'est-ce que ça veut dire » (Don José, Micaëla)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet1:00
9Carmen: Erster Akt: Nr. 7 Duett: Wie? Du kommst von der Mutter - Als Botin komm’ ich her - Ich seh’ die Mutter dort (Don José, Micaéla)
producer:
Fritz Ganss (producer)
soprano vocals [Micaëla]:
Melitta Muszely (soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 7 Duett „Wie? Du kommst von der Mutter” – „Als Botin komm’ ich her” – „Ich seh’ die Mutter dort” (Don José, Micaëla) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet9:24
10Carmen: Erster Akt: Nr. 7a Rezitativ: Bleibe da, während hier den lieben Brief ich lese (Don José, Micaëla)
producer:
Fritz Ganss (producer)
soprano vocals [Micaëla]:
Melitta Muszely (soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 7a Rezitativ „Bleibe da, während hier den lieben Brief ich lese” (Don José, Micaëla) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 7b Récit « Reste là, maintenant, pendant que je lirai » (Don José, Micaëla)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet1:32
11Carmen: Erster Akt: Nr. 8 Chor: Was ist dort geschehen? - Kommt zu Hülf! (Zuniga, Chor)
producer:
Fritz Ganss (producer)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 8 Chor „Was ist dort geschehen?” … „Kommt zu Hülf!” (Zuniga, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 8 « Que se passe‐t‐il donc là‐bas ? » … « Au secours » (Les Cigarières, les Soldats, Zuniga)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet3:11
12Carmen: Erster Akt: Nr. 9 Lied & Rezitativ: Mein Offizier, ein Streit entspann sich droben (Don José, Zuniga, Carmen, Chor)
producer:
Fritz Ganss (producer)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 9 Lied & Rezitativ „Mein Offizier, ein Streit entspann sich droben” (Don José, Zuniga, Carmen, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 9 Chanson « Mon officier, c’était une querelle » (Don José, Zuniga)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet3:49
13Carmen: Erster Akt: Nr. 10 Seguidilla & Duett: Draußen am Wall von Sevilla (Carmen, Don José)
producer:
Fritz Ganss (producer)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 10 Seguidilla & Duett „Draußen am Wall von Sevilla” (Carmen, Don José) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet4:15
14Carmen: Erster Akt: Nr. 11 Finale I: Hier, der Befehl! (Zuniga, Carmen)
producer:
Fritz Ganss (producer)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 11 Finale I „Hier, der Befehl!” (Zuniga, Carmen) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 11 Finale « Voici l'ordre, partez » (Zuniga, Carmen)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet1:57
15Carmen: Erster Akt: Zwischenspiel I (Orchester)
producer:
Fritz Ganss (producer)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen : Acte I. Entr’acte (intermission between Acts I & II) (in 1961-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
part of:
Carmen: Act I (english lyrics)
part of:
Carmen: Akt I (German translation, Julius Hopp)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet1:41
16Carmen: Zweiter Akt: Nr. 12 Zigeunerlied: Was ist Zigeuners höchste Lust (Carmen, Frasquita, Mercédès)
producer:
Fritz Ganss (producer)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 12 Zigeunerlied „Was ist Zigeuners höchste Lust” (Carmen, Frasquita, Mercédès) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:48
17Carmen: Zweiter Akt: Nr. 12a Rezitativ: Ihr Herren, Pastia sagt ...- Was will er denn von uns (Frasquita, Zuniga, Mercédès, Carmen)
producer:
Fritz Ganss (producer)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 12a Rezitativ „Ihr Herren, Pastia sagt” ... „Was will er denn von uns” (Frasquita, Zuniga, Mercédès, Carmen) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet1:00
18Carmen: Zweiter Akt: Nr. 13 Chor: Ein Hoch, ein Hoch dem Torero! (Zuniga, Frasquita, Mercédès, Carmen, Moralès, Chor)
producer:
Fritz Ganss (producer)
baritone vocals [Moralès]:
Georg Völker (baritone) (in 1961-09)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 13 Chor „Ein Hoch, ein Hoch dem Torero!” (Zuniga, Frasquita, Mercédès, Carmen, Moralès, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet1:07
19Carmen: Zweiter Akt: Nr. 14 Torerolied: Euren Toast kann ich wohl erwidern - Auf in den Kampf 4.51 (Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor)
producer:
Fritz Ganss (producer)
baritone vocals [Moralès]:
Georg Völker (baritone) (in 1961-09)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
bass-baritone vocals [Escamillo]:
Hermann Prey (baritone) (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 14 Torerolied: „Euren Toast kann ich wohl erwidern” – „Auf in den Kampf” (Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:51
20Carmen: Zweiter Akt: Nr. 14a Rezitativ: Du Schöne, o sprich, sag deinen Namen mir (Escamillo, Carmen)
producer:
Fritz Ganss (producer)
bass-baritone vocals [Escamillo]:
Hermann Prey (baritone) (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 14a Rezitativ „Du Schöne, o sprich, sag deinen Namen mir” (Escamillo, Carmen) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet0:53
21Carmen: Zweiter Akt: Nr. 14b Escamillos Abgang (Orchester)
producer:
Fritz Ganss (producer)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 14b Escamillos Abgang (Orchester) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet0:38
22Carmen: Zweiter Akt: Nr. 14c Rezitativ: Kommt herein, sagt, was gibt’s Neues? (Frasquita, Dancaïro, Mercédès, Carmen)
producer:
Fritz Ganss (producer)
baritone vocals [Dancairo]:
Leopold Clam (German baritone) (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 14c Rezitativ „Kommt herein, sagt, was gibt’s Neues?” (Frasquita, Dancaïro, Mercédès, Carmen) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet0:15
23Carmen: Zweiter Akt: Nr. 15 Quintett: Ich hab’ ein Geschäft vorzuschlagen (Dancaïro, Mercédès, Frasquita, Remendado, Carmen)
producer:
Fritz Ganss (producer)
baritone vocals [Dancairo]:
Leopold Clam (German baritone) (in 1961-09)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
tenor vocals [Remendado]:
Karl‐Ernst Mercker (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 15 Quintett: „Ich hab’ ein Geschäft vorzuschlagen” (Dancaïro, Mercédès, Frasquita, Remendado, Carmen) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:39
24Carmen: Zweiter Akt: Nr. 15a Rezitativ: Sag, wen erwartest du? - Den Soldat, von dem ich schon erzählt (Dancaïro, Carmen, Remendado)
producer:
Fritz Ganss (producer)
baritone vocals [Dancairo]:
Leopold Clam (German baritone) (in 1961-09)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
tenor vocals [Remendado]:
Karl‐Ernst Mercker (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 15a Rezitativ „Sag, wen erwartest du?” … „Den Soldat, von dem ich schon erzählt” (Dancaïro, Carmen, Remendado) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet0:28
25Carmen: Zweiter Akt: Nr. 16 Lied: He, holla! Halt! wer da? - Hört ihr ihn? (Don José, Carmen, Frasquita, Mercédès, Dancaïro, Remendado)
producer:
Fritz Ganss (producer)
baritone vocals [Dancairo]:
Leopold Clam (German baritone) (in 1961-09)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
tenor vocals [Remendado]:
Karl‐Ernst Mercker (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 16 Lied „He, holla! Halt! wer da?” … „Hört ihr ihn?” (Don José, Carmen, Frasquita, Mercédès, Dancaïro, Remendado) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet1:37
▼ CD 2: 2. Akt (Schluß), 3 & 4 Akt
#TitleArtistRatingLength
1Carmen: Zweiter Akt: Nr. 16a Rezitativ: Bist du endlich da? (Carmen, Don José)
producer:
Fritz Ganss (producer)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 16a Rezitativ: „Bist du endlich da?” (Carmen, Don José) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet0:53
2Carmen: Zweiter Akt: Nr. 17 Duett: Tanzen will ich zu Eurer Ehr’ (Carmen, Don José)
producer:
Fritz Ganss (producer)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 17 Duett: „Tanzen will ich zu Eurer Ehr’” (Carmen, Don José) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte II. No. 17 Duo : « Tout doux, Monsieur » … « Je vais danser en votre honneur » (Carmen, Don José)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:37
3Carmen: Zweiter Akt: Blumenarie: Hier an dem Herzen treu geborgen (Carmen, Don José)
producer:
Fritz Ganss (producer)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 17 Blumenarie: „Hier an dem Herzen treu geborgen“ (Carmen, Don José) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet7:31
4Carmen: Zweiter Akt: Nr. 18 Finale II: Holla! Carmen! holla, holla! - Wer klopft? wer ist da? (Zuniga, Don José, Carmen, Remendado, Dancaïro, Frasquita, Mercédès, Chor)
producer:
Fritz Ganss (producer)
baritone vocals [Dancairo]:
Leopold Clam (German baritone) (in 1961-09)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
tenor vocals [Remendado]:
Karl‐Ernst Mercker (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 18 Finale II: „Holla! Carmen! holla, holla!” … „Wer klopft? wer ist da?” (Zuniga, Don José, Carmen, Remendado, Dancaïro, Frasquita, Mercédès, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:48
5Carmen: Zweiter Akt: Zwischenspiel II (Orchester)
producer:
Fritz Ganss (producer)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (in 1961-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet3:08
6Carmen: Dritter Akt: Nr. 19 Sextett mit Chor: Nur mutig die Schlucht hinab, ihr Kameraden (Frasquita, Mercédès, Carmen, Don José, Remendado, Dancaïro, Chor)
producer:
Fritz Ganss (producer)
baritone vocals [Dancairo]:
Leopold Clam (German baritone) (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
tenor vocals [Remendado]:
Karl‐Ernst Mercker (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Dritter Akt. Nr. 19 Sextett mit Chor „Nur mutig die Schlucht hinab, ihr Kameraden” (Frasquita, Mercédès, Carmen, Don José, Remendado, Dancaïro, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet4:19
7Carmen: Dritter Akt: Nr. 19a Rezitativ: Ihr ruhet hier ein Stündchen aus, Kameraden! (Dancaïro, Carmen, Don José)
producer:
Fritz Ganss (producer)
baritone vocals [Dancairo]:
Leopold Clam (German baritone) (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Dritter Akt. Nr. 19a Rezitativ „Ihr ruhet hier ein Stündchen aus, Kameraden!” (Dancaïro, Carmen, Don José) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. Récitative « Reposons‐nous une heure ici » (Le Dancaïre, Carmen, Don José)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet2:36
8Carmen: Dritter Akt: Nr. 20 Terzett & Kartenlied: Mische! - Mische! - Hebe! - Hebe!
producer:
Fritz Ganss (producer)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Dritter Akt. Nr. 20 Terzett & Kartenlied „Mische! - Mische! - Hebe! - Hebe!” (Carmen, Frasquita, Mercédès) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet4:02
9Carmen: Dritter Akt: Wenn dir die Karten einmal bittres Unheil künden (Mercédès, Frasquita, Carmen)
producer:
Fritz Ganss (producer)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Dritter Akt. „Wenn dir die Karten einmal bittres Unheil künden” (Mercédès, Frasquita, Carmen) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet3:27
10Carmen: Dritter Akt: Nr. 20a Rezitativ: Was gibt’s? - Wir wollen versuchen durchzukommen (Carmen, Dancaïro, Frasquita)
producer:
Fritz Ganss (producer)
baritone vocals [Dancairo]:
Leopold Clam (German baritone) (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Dritter Akt. Nr. 20a Rezitativ „Was gibt’s?” … „Wir wollen versuchen durchzukommen” (Carmen, Dancaïro, Frasquita) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. Récitative « Eh bien ? … » (Carmen, Le Dancaïre, Frasquita)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet0:39
11Carmen: Dritter Akt: Nr. 21 Ensemble: Ach, die Zöllner sind nur Sünder (Frasquita, Mercédès, Carmen, Remendado, Dancaïro, Chor)
producer:
Fritz Ganss (producer)
baritone vocals [Dancairo]:
Leopold Clam (German baritone) (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
tenor vocals [Remendado]:
Karl‐Ernst Mercker (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Dritter Akt. Nr. 21 Ensemble „Ach, die Zöllner sind nur Sünder” (Frasquita, Mercédès, Carmen, Remendado, Dancaïro, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet3:03
12Carmen: Dritter Akt: Nr. 22 Rezitativ & Arie: Hier, in der Felsenschlucht sollen die Schmuggler hausen - Ich sprach, daß ich furchtlos mich fühle (Micaëla)
producer:
Fritz Ganss (producer)
soprano vocals [Micaëla]:
Melitta Muszely (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Dritter Akt. Nr. 22 Rezitativ & Arie „Hier, in der Felsenschlucht sollen die Schmuggler hausen” … „Ich sprach, daß ich furchtlos mich fühle” (Micaëla) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
translated version of:
Carmen : Acte III. Récitative « C’est des contrebandiers le refuge ordinaire » (Micaëla, le guide)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet6:04
13Carmen: Dritter Akt: Nr. 22a Rezitativ: Doch täusch’ ich mich nicht? (Micaëla, Escamillo)
producer:
Fritz Ganss (producer)
bass-baritone vocals [Escamillo]:
Hermann Prey (baritone) (in 1961-09)
soprano vocals [Micaëla]:
Melitta Muszely (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Dritter Akt. Nr. 22a Rezitativ „Doch täusch’ ich mich nicht?” (Micaëla, Escamillo) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. Récitative « Je ne me trompe pas… » (Micaëla)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet0:40
14Carmen: Dritter Akt: Nr. 23 Duett: Ich bin Escamillo (Escamillo, Don José)
producer:
Fritz Ganss (producer)
bass-baritone vocals [Escamillo]:
Hermann Prey (baritone) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Dritter Akt. Nr. 23 Duett „Ich bin Escamillo” (Escamillo, Don José) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet2:36
15Carmen: Dritter Akt: Nr. 24 Finale III: Halt ein! halt ein! José! (Carmen, Escamillo, Dancaïro, Don José, Remendado, Micaëla, Frasquita, Mercédès, Chor)
producer:
Fritz Ganss (producer)
baritone vocals [Dancairo]:
Leopold Clam (German baritone) (in 1961-09)
bass-baritone vocals [Escamillo]:
Hermann Prey (baritone) (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
soprano vocals [Micaëla]:
Melitta Muszely (soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
tenor vocals [Remendado]:
Karl‐Ernst Mercker (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Dritter Akt. Nr. 24 Finale III „Halt ein! halt ein! José!” (Carmen, Escamillo, Dancaïro, Don José, Remendado, Micaëla, Frasquita, Mercédès, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet8:14
16Carmen: Dritter Akt: Zwischenspiel III (Orchester)
producer:
Fritz Ganss (producer)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (in 1961-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:12
17Carmen: Vierter Akt: Nr. 25 Chor: Nur zwei Cuartos (Zuniga, Chor)
producer:
Fritz Ganss (producer)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Vierter Akt. Nr. 25 Chor „Nur zwei Cuartos” (Zuniga, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès)
part of:
Carmen: Akt 4 (German translation, Julius Hopp)
Georges Bizet1:12
18Carmen: Vierter Akt: Nr. 26 Marsch & Chor: Ha, sie naht!
producer:
Fritz Ganss (producer)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Vierter Akt. Nr. 26 Marsch & Chor „Ha, sie naht!” (Chor, Kinderchor, Escamillo, Carmen, Frasquita, Mercédès) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
part of:
Carmen: Akt 4 (German translation, Julius Hopp)
Georges Bizet3:48
19Carmen: Vierter Akt: Liebst du mich treu und innig - Carmen, darf ich dir verraten (Escamillo, Carmen, Frasquita, Mercédès, Chor)
producer:
Fritz Ganss (producer)
bass-baritone vocals [Escamillo]:
Hermann Prey (baritone) (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Vierter Akt. „Liebst du mich treu und innig” … „Carmen, darf ich dir verraten” (Escamillo, Carmen, Frasquita, Mercédès, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur)
part of:
Carmen: Akt 4 (German translation, Julius Hopp)
Georges Bizet3:01
20Carmen: Vierter Akt: Nr. 27 Duett & Schlusschor: Du bist's? - Ich bin’s! (Carmen, Don José, Chor)
producer:
Fritz Ganss (producer)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin (in 1961-09)
recording of:
Carmen: Vierter Akt. Nr. 27 Duett & Schlusschor „Du bist's?” … „Ich bin’s!” (Carmen, Don José, Chor) (in 1961-09)
composer:
Georges Bizet (composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur)
part of:
Carmen: Akt 4 (German translation, Julius Hopp)
Georges Bizet8:08

Credits

Release

manufactured in:Germany
miscellaneous support:Christfried Bickenbach (task: Aufnahmeleitung)
copyrighted (©) by:EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1991)
phonographic copyright (℗) by:EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1961, in 1991)
pressed by:MediaMotion (Dutch CD and DVD replication company)
glass mastered at:EMI (Uden) in Uden
Discogs:https://www.discogs.com/release/15192664 [info]