# | Title | Artist | Rating | Length |
---|
1 | Wake Me Up Before You Go‐Go | Wham! | 3.85 | 3:53 |
2 | Keep On Loving You | REO Speedwagon | 3.75 | 3:22 |
3 | Girls Just Want to Have Fun | Cyndi Lauper | | 3:57 |
4 | Total Eclipse of the Heart | Bonnie Tyler | 4.6 | 6:59 |
5 | Walk Like an Egyptian | The Bangles | 4.2 | 3:25 |
6 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim "Watts" Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- recorded at:
- Fantasy Studios in Berkeley, United States, Studio D Recording in Sausalito, United States and The Plant Studios in Sausalito, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, United States
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
- part of:
- Back to the Future: the Musical
| Huey Lewis and the News | 4 | 3:56 |
7 | What I Like About You | The Romantics | 4.7 | 2:58 |
8 | Let’s Hear It for the Boy | Deniece Williams | 3.6 | 4:22 |
9 | Roseanna | Toto | | 5:34 |
10 | Who Can It Be Now | Men at Work | 4.4 | 3:23 |
11 | Everytime You Go Away | Paul Young | | 5:24 |
12 | Voices Carry | ’Til Tuesday | 4.85 | 4:23 |
13 | 867-5309/Jenny | Tommy Tutone | 4.75 | 3:47 |
14 | 99 Red Ballons | Nena | 3.75 | 3:53 |
15 | Almost Paradise (love theme from “Footloose”) | Mike Reno and Ann Wilson | | 3:49 |