Ljuva 80‐tal

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Sweet Dreams (Are Made of This)
recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Eurythmics4:53
2Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia
music videos:
Tainted Love by Soft Cell
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:35
3I Want Candy
producer:
Kenny Laguna
cover recording of:
I Want Candy (in 1982)
writer:
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein and Richard Gottehrer (American songwriter and music executive)
publisher:
Sloopy II Music, Sony/ATV Songs LLC and Wren Music Co.
Bow Wow Wow42:42
4Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Publishing Ltd., Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Milk Money Music, Sony/ATV Harmony, Sony/ATV Melody and Sony/ATV Music Publishing Ltd.
part of:
The 57th Academy Award for Best Original Song (number: 2)
Kenny Loggins4.13:42
5The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population2.654:03
6She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Fine Young Cannibals43:36
7If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1989)
recorded at:
Bill Schnee Studios in North Hollywood, United States and Criterion Studios in Los Angeles, United States
mixed at:
The Complex Studios in Los Angeles, United States
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.653:59
8Eye of the Tiger
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Ensign Music Corporation, Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division, WB Music Corp. (1929–2019), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Survivor4:02
9Circle in the Sand
producer:
Rick Nowels
phonographic copyright (℗) by:
Demon Music Group Ltd. (for release labels, use "Demon Music Group"; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Circle in the Sand
lyricist and composer:
Rick Nowels and Ellen Shipley
publisher:
Screen Gems–EMI Music Ltd., Shipwreck Music (publisher) and Virgin Music (Publishers) Ltd.
Belinda Carlisle3.53:41
10Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.93:27
11Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1983)
recorded at:
The Record Plant (New York) in Midtown Manhattan, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Gray Matter Music, Human Boy Music, Rellla Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Japan, Synch division, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label), WB Music Corp. (1929–2019) (until 2019-05-28), Dub Notes Music (publisher) (in 1984), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
Cyndi Lauper4.44:01
12Living in a Box
recording of:
Living in a Box
lyricist and composer:
Steve Piggott and Marcus Vere
publisher:
Brampton Music International and Empire Music Ltd.
Living in a Box3:03
13You Keep Me Hangin’ On
recorded in:
England
engineer:
Peter Wade Schwier (producer, mixing and recording engineer)
producer:
Ricky Wilde
guitar:
Steve Byrd
keyboard:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) and EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2001)
produced for:
Big M (Bigbeat, House label) and Big M Productions Ltd. (British record and publishing company)
recorded at and mixed at:
Larrabee Sound Studios (Larrabee Sound Studios from 1969–1991) in West Hollywood, United States, Select Sound Studios in Knebworth and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, United States
part of:
Cachitos Nochevieja 2022 (number: 108)
cover recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Kim Wilde3.74:13
14What Is Love?
engineer:
Stephen W. Tayler (UK engineer)
producer:
Rupert Hine
lead vocals:
Howard Jones (English singer, songwriter)
recording of:
What Is Love?
lyricist:
William Bryant (UK lyricist, writer and speaker) and Howard Jones (English singer, songwriter)
composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd., Kobalt Music Group and Warner Chappell Publishing
Howard Jones4.53:38
15Stop
recording of:
Stop
writer:
Bruce Brody, Sam Brown (UK singer/songwriter) and Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI) and WayBlue Ltd. (publisher)
Sam Brown43:59
16The Riddle
assistant engineer:
Dave Meegan (producer)
engineer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
lead vocals:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
recording of:
The Riddle
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. and Rondor Musikverlag GmbH
Nik Kershaw3.353:50
17Sign Your Name
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
strings arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
recording of:
Sign Your Name
lyricist:
Terence Trent D’Arby (now known as Sananda Maitreya)
composer:
Chris Cameron (British pianist, singer-songwriter, arranger and producer) and Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby3.54:36
18Bette Davis Eyes
recording engineer and producer:
Val Garay
electric guitar:
Waddy Wachtel
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), EMI America Records, Inc. (holding - file NO releases here!) (in 1981) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981)
recorded at:
Record One in Sherman Oaks, United States
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc. and Warner Chappell Music, Inc.
Kim Carnes3.93:43
19Under the Boardwalk
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1987)
cover recording of:
Under the Boardwalk
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
recording of:
Under the Boardwalk
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
Bruce Willis2.353:02
20The Winner Takes It All
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass guitar:
Mike Watson (English–Swedish rock musician) (on 1980-06-06)
cello:
Olle Gustafsson (cellist) (on 1980-06-16) and Åke Olofsson (Swedish cellist) (on 1980-06-16)
drums (drum set):
Ola Brunkert (on 1980-06-06)
guitar:
Lasse Wellander (on 1980-06-06)
keyboard and synthesizer:
Benny Andersson (ABBA) (on 1980-06-06)
percussion:
Åke Sundqvist (on 1980-06-06)
viola:
Nils Heie (on 1980-06-16), Håkan Roos (Swedish violist) (on 1980-06-16) and Bo Söderström (Swedish violinist) (on 1980-06-16)
violin:
Martin Bylund (Swedish violinist) (on 1980-06-16), Anders Dahl (Swedish violinist) (on 1980-06-16), Lars Stegenberg (Swedish violinist) (on 1980-06-16), Gunnar Michols (Swedish violinist) (on 1980-06-16), Bernt Nylund (Swedish violinist) (on 1980-06-16), Bertil Orsin (Swedish violinist) (on 1980-06-16), Sixten Strömvall (Swedish violinist) (on 1980-06-16) and Harry Teike (on 1980-06-16)
background vocals:
Frida (Swedish singer and member of ABBA) (on 1980-06-06)
lead vocals:
Agnetha Fältskog (on 1980-06-06)
cello, viola and violin arranger:
Rutger Gunnarsson (in 1980)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1980)
recorded at:
Polar Studios in Stockholm (on 1980-06-06, on 1980-06-16)
mixed at:
Polar Studios in Stockholm (on 1980-06-18)
part of:
The Downloader’s Music Source Book (number: 66)
recording of:
The Winner Takes It All (in 1980-06)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!) (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
part of:
Mamma Mia! (1999 musical)
ABBA3.84:54
▼ CD 2
#TitleArtistRatingLength
1The Best
producer:
Dan Hartman and Tina Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 4) and Cachitos Nochevieja 2022 (number: 154)
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
Island Music Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.655:29
2Let’s Dance
engineer and mixer:
Bob Clearmountain
producer:
David Bowie (English singer‐songwriter) and Nile Rodgers
assistant mixer:
David Bowie (English singer‐songwriter) and Nile Rodgers
solo guitar:
Stevie Ray Vaughan
lead vocals:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1983)
recording of:
Let’s Dance
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd and Watanabe Music Publishing CM division
David Bowie44:09
3Soul Deep
programming:
Anders Herrlin and Clarence Öfwerman
engineer:
Anders Herrlin, Alar Suurna and Robert Wellerfors
producer:
Clarence Öfwerman
mixer:
Clarence Öfwerman, Roxette and Alar Suurna
bass guitar:
Tommy Cassemar
drums (drum set):
Pelle Alsing
electric bass guitar:
Anders Herrlin
electric guitar and guitar:
Jonas Isacsson
electric guitar [rhythm guitar]:
Per Gessle (Swedish singer and guitarist)
keyboard:
Clarence Öfwerman
percussion:
Mats Arne Persson (“M.P.”)
trumpet:
Uno Forsberg, Mikael Renliden and Tomas Sjögren
additional background vocals:
Staffan Öfwerman
background vocals:
Marianne Flynner, Marie Fredriksson, Per Gessle (Swedish singer and guitarist) and Anne‐Lie Rydé
lead vocals:
Marie Fredriksson and Per Gessle (Swedish singer and guitarist)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!)
recorded at:
EMI Studios (Stockholm) in Stockholm (from 1986-03 until 1986-09)
mixed at:
EMI Studios (Stockholm) in Stockholm
recording of:
Soul Deep
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
translated version of:
Dansar nerför ditt stup i rekordfart
Roxette2.53:33
4Come On Eileen
producer:
Clive Langer, Kevin Rowland and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Phonogram Ltd. (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners4.154:06
5The Tide Is High
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980)
recorded at:
United Western Recorders in Hollywood, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett and Tyrone Evans
writer:
John Holt
publisher:
B & C Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.453:51
6Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London) (in 1983) and Red Bus Studios in London (Greater London) (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3.754:00
7Angel of the Morning
recording engineer:
Joe Chiccarelli
associate producer:
Otha Young
producer:
Richard Landis
mixer:
Michael Verdick
arranger:
Charles Calello
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, United States
cover recording of:
Angel of the Morning (on 1980-09-04)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music (publisher), EMI Blackwood (1989-07-24–present), EMI Songs Ltd. and Unichappell Music
recording of:
Angel of the Morning
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music (publisher), EMI Blackwood (1989-07-24–present), EMI Songs Ltd. and Unichappell Music
Juice Newton4.354:08
8Shattered Dreams
recording of:
Shattered Dreams
lyricist and composer:
Clark Datchler
Johnny Hates Jazz4.53:25
9Crash
mixer:
Mark Wallis (in 1988)
bass guitar:
Steve Dullaghan
guitar:
Paul Court (of "The Primitives")
vocals:
Tracy Cattell
recording of:
Crash
writer:
Tracy Cattell, Paul Court (of "The Primitives") and Steve Dullaghan
The Primitives4.652:32
10Talking in Your Sleep
engineer:
Hal Hansford and Jim Sessody
producer:
Peter Solley (English pianist, songwriter and producer)
mixer:
Neil Kernon and Peter Solley (English pianist, songwriter and producer)
recorded at:
Criteria Studios in Miami, United States
recording of:
Talking in Your Sleep
writer:
Coz Canler, Jimmy Marinos, Wally Palmar, Mike Skill and Peter Solley (English pianist, songwriter and producer)
The Romantics4.23:55
11Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2)
is based on:
I Want a New Drug
Ray Parker Jr.4.154:06
12The Power of Love
lead vocals:
Jennifer Rush
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy DeRouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), フジパシフィックミュージック SBK事業部 (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
translated version of:
Du bist mein Leben
translated version of:
Už nejsem volná
Jennifer Rush55:54
13Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (Producer. aka Merrick)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Phonogram Ltd. (in 1985) and Mercury Records Ltd. (not for release label use!) (in 2014)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (Producer. aka Merrick), Roland Orzabal and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use!) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Tears for Fears44:07
14Don’t Get Me Wrong
engineer:
Bruce Lampcov
producer:
Bob Clearmountain and Jimmy Iovine
mixer:
Bob Clearmountain
bass:
Chucho Merchán
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
piano and synthesizer:
Wix (UK / Paul Wickens)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK)
recording of:
Don’t Get Me Wrong
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music and Hynde House of Hits Music
The Pretenders4.23:48
15Jessie’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo, Keith Olsen (US producer and engineer) and Rick Springfield
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
Rick Springfield4.353:13
16Can You Feel It
producer:
The Jacksons (formerly “The Jackson 5”)
bass:
Nathan Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Tito Jackson and David Williams (session guitarist and songwriter)
keyboard:
Ronnie Foster, Greg Phillinganes and Bill Wolfer
vibraphone [vibes]:
Gary L. Coleman (US percussionist)
choir vocals:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade and Gregory Wright
lead vocals:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
strings arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1980)
recording of:
Can You Feel It
writer:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons4.353:50
17Jump (for My Love)
recording of:
Jump (for My Love)
writer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron and Gary Skardina
The Pointer Sisters43:59
18Relax
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (Member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; also referred to as Zang Tumb Tuum or Zang Tuum Tumb) (in 1984)
recorded at:
The Town House in Shepherd's Bush
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd.
Frankie Goes to Hollywood3.953:55
19IQ (bonusspår)
Magnus Uggla3:30